NAME: Queen Mbissine
TRACK: I’m Done
YEAR: 2021
FROM: Senegal
NAME: Queen Mbissine
TRACK: I’m Done
YEAR: 2021
FROM: Senegal
NAME: Dre-A
TRACK: On peut faire ça (Freestyle 1)
YEAR: 2021
FROM: Ivory Coast
NAME: Kay Karma
TRACK: 6 Feet
YEAR: 2021
FROM: Chicago, USA
NAME: Lady Vixxen
TRACK: Mentira
YEAR: 2021
FROM: Dominican Republic/Brooklyn, New York, USA
NAME: Flo Milli
TRACK: Roaring 20s
YEAR: 2021
FROM: Mobile, Alabama, USA
NAME: Chaney
TRACK: Like TLC
YEAR: 2021
FROM: Houston, Texas, USA
NAME: Leazzy
TRACK: Boombarras
YEAR: 2021
FROM: Guadalajara, Mexico
NAME: Pricie
TRACK: too dang good
YEAR: 2021
FROM: Sydney/Melbourne, Australia
A rapper and a beatmaker, Alexie Ivanovich was born in Isfahan, the third-largest city in Iran. At 17, she moved to Tehran to study hardware engineering at Tehran Polytechnic. Because of deep ideological conflicts, she dropped out of university and devoted her time to making music. She told us about her journey in hip hop and what it is like to be a female artist in her country, where rap is illegal and women face jail for singing.
How were you introduced to hip hop?
When I was in my late elementary school years, rap music was newly raised in my country, and instantly I got interested in it. I was introduced to literature at a very young age by my parents and I became intensely curious about this kind of poetry and music. Hip hop was a world full of adventures with the potentials to express passion for writing and inner thoughts through music. When I was in first grade of middle school, I wrote my first lyrics: a long funny verse about the NODET system (organization that recruits students for middle and high schools and aimed to provide a unique educational environment for exceptionally talented students, ed.) and its bugs and why our teachers were so mean.
Through the next upcoming years, I frequently listened and did some research, and everything became more serious. When I moved to Tehran, I met many people on the hip hop scene. Most of them were making music in their home studios, and they were amazed about how I rapped and my opinions about the subject. I was obsessed with writing more and more to reach the self-satisfaction stage about my skills and the whole picture.
Meanwhile, things were going quite messy and complicated at university. I studied many emcees and their verbal inventions, techniques, and different points of view. Spending many nights soul-searching YouTube and the internet for beats, getting together with friends, and long brainstorming hours and discussions. That period was a self-educating time in my life, which allowed me to learn and try any idea I had in mind. I came to myself when listening and writing turned to be an inseparable part of my days and nights, regardless of what I was doing or where I was.
You’re a rapper and a producer. Did you start both at the same time?
I focused on making beats after I released my EP. I experienced performing in different genres and sub-genres of hip hop and seeking something new for me, and yet original. I’m in touch with some great producers from here and other countries, and I always received beats from amateur to professional ones. Some of them are very talented, but they are not precisely what I want. So I decided to start making my stuff. Meanwhile, I can also hear something from an unknown producer and immediately catch the rhythm and start working on it.
“Everything I do comes from the spirit of fighting against forces that make unwanted limitations.”
Did you receive any musical training?
I learned the essentials of hip hop production from Badawi, the legendary producer from New York, and the fundamentals of audio mix and mastering from Ramin Pir, the owner of Australian Vivid Sounds Production. These two resources helped me get a broader and more specific picture of making music with what I knew from a few years of self-learning and self-analyzing music production.
How would you define your music?
My music inspires me to stay tough and stubborn. To remain strong in the hopeless time and place we are stuck in and fight with the harsh reality, which disappoints us in many unfair ways. When you can do something, but constraints and stupid boundaries won’t allow it to happen, you can either quit and stick to the norm or try to fix and push your ideas forward by creating new paths. Hip hop means the core engine of this philosophy for me. Everything I do comes from the spirit of fighting against forces that make unwanted limitations.
Through the years, this ongoing war shapes a hardcore attitude that leads me to create and express my desire to be free and fearless in art and music, and life. The fact that you should take all you have into battle to make of it what you will, hoping you can figure out as you go forward and make some sense of it. Being stubborn about who you are and against what tells you “to be anything rather than who you truly want.” Hip hop reminds us that you can and you will, wherever you are and what story you got. If you want it, you should try hard for it, and nobody can stop you from reaching the max.
You just released the track Bang. What does it talk about?
It reflects the rage and passion of a girl who chooses street culture in the conflict between the modern world, which is not quite likable for her, and traditional beliefs that she ignores totally. It’s about how serious I am in determining freedom of act and speech.
“We are not allowed to sing in public and people never hear the sound of music.”
I made the video in my hometown’s most religious part. I chose to perform there for many reasons. This beautiful and historical architecture matches the emotions I got in that specific period and position. It amazingly suits the violin sound in the beat. We are not allowed to sing in public, and people never hear the sound of music there, let alone rap. This shapes an artistic paradox that makes this experience unique and lasting. I had minimal time to record that video, and all the shots were taken only once.
Besides, no one has the guts to do the same and take such kind of risk. I’m talking about the courage and desires that shape a brave attitude I admire in many humans and artists that I respect.
What is the female hip hop scene like in Iran? As rap music is illegal there, it possible for female rappers to professionalize and make a living from their music?
We don’t have an official hip hop scene here. Rap music is illegal to show and perform in national media, and in general, singing for women is considered as a crime and leads to criminal conviction.
As a result, we do not have any concerts, registered labels, or official releases, and there is no patent for musical works. Usually, artists who sell their songs manage to do it independently via their websites or direct payment links. But it’s so limited.
Gaining from online streaming is also nothing much to make a living out of it; besides, we don’t have access to the international banking system to use accounts such as Paypal or visa card. They are abandoned to use for Iranians. It’s complicated and generates many problems when you earn dollars through a website, and then need to transfer and change them to Rials. It is not easy for anyone to continue their career without any outcome.
“A female rapper will most likely face immediate rejection.”
Women who got attitude for rap are far less in numbers than men here, and it’s not a simple job to fit in between the mass number of other rappers. Dealing with audiences could be complicated too.Female voices are new for them when it comes to rap. Many people underestimate the quality of your lyrics without any further objection or knowledge, based on the unfounded judgment that a girl is not good enough to invent complicated rhyme schemes or doesn’t have a proper to deliver the message, or generally females have a superficial approach to hip hop.
A female rapper will most likely face immediate rejection even if she is talented. You should be confident enough about the whole subject and try hard on paper to reach at least far above the average standard to mash their rotten ideas.
Do you consider yourself a feminist? If so, how would you define your feminism?
I don’t think so. Sexuality doesn’t define all I’ve got in mind. As a woman, you should try twice than others in some cases, but that’s a gift and inspiring to determine twice. All of us are stuck in a system that improvement and success procedures are not based on individual competency. Man or woman, you should keep trying, and on many occasions, you are mistreated to get what your efforts really deserve.
“I live in a place where we must fight to survive every day.”
I live in a place where we must fight to survive every day. I’m against the roots of ideas and terms that made this world and my nation what it is today. Half of Iran’s population doesn’t have the very primary rights in personal and social life, which makes the other half be satisfied and assured only with prior rights. It’s a massive deception. The insecure economical situation and inflation severely reduced social welfare and life satisfaction, making the majority of people poor day after day. The dysfunctional governing has failed in managing these crises.
As a straight result, the family foundation becomes more powerless than ever to supply life necessities, let alone raising a generation with open minds and ideas to stand up for change or revolution. In my position, the battlefield is not justice for women but justice for all, justice for life.
Who are your female role models?
I saw many influential women in my life in different areas. Each one uniquely impressed me. I appreciate any strong, independent woman who goes for her passion, tries to raise her abilities and respects herself.
What are your upcoming projects? How does the coronavirus pandemic impact your activity?
The pandemic has postponed some of my plans due to travel restrictions and made everything much slower. Besides some collaborations that I’m genuinely interested in, I’m first announcing here that I have an album coming in the next few months.
What do you think about Madame Rap? What should be changed or improved?
It amazes me how far hip hop can go, and the variety of artists is fantastic. They are beautiful and impressive in their cultures wherever they are and seeing them makes me proud. You can be more specific about their message and lyrics by adding the translation in your posts. Blessings, and keep going. Art is still the best place for rising and finding great minds and pure souls.
Find Alexie Ivanovich on Instagram, Twitter and Soundcloud.
NAME: Hip Hop Female Durango
TRACK: Vol. 1
YEAR: 2021
FROM: Durango, Mexico
NAME: Jupiter Gray
TRACK: Godiva Diva
YEAR: 2021
FROM: Columbus, Ohio, USA
NAME: Genny
TRACK: Come
YEAR: 2021
FROM: Birmingham, UK
NAME: Las Ninyas del Corro
TRACK: Trinidad
YEAR: 2021
FROM: Barcelona, Spain
NAME: Denise Chaila
TRACK: Anceo ft. Jafaris
YEAR: 2021
FROM: Zambia/ Limerick, Ireland
NAME: Caro Flores
TRACK: Imagina
YEAR: 2021
FROM: Chile
NAME: Brendita Bello
TRACK: Asumo
YEAR: 2021
FROM: Mexico
Check out our January playlist on YouTube, Spotify, Deezer and Apple Music with 20 tracks by international female rappers!
Created with ListenTo. Free Music Smart URLs
With:
Born in Jakarta, Ramengvrl started rapping in 2013 as an escape from her 9-to-5 job. Her music career took off in 2016 with her first single I’m Da Man followed by CA$HMERE, which brought her name to the next level. Also a strong LGBTQIA ally, the artist told us about her new album Can’t Speak English, her feminism and her will to shake up the traditional representations of women in Indonesia.
How and when were you introduced to hip hop?
I was actually more into pop that kinda overlaps with hip hop, like The Black Eyed Peas. Back then, I didn’t really understand hip hop – I thought it was “just rap” and the topics didn’t really vibe with me. It was only in high school that I started to discover more of it because my boyfriend at the time got me into Kanye and I was like “oh so you can do this in hip hop too?”. Like he was talking about heartbreaks and middle-class struggle with beats that were usually unheard of in the hip hop songs I heard, like he really broke the limit.
From then, I started listening to other artists like Drake, ASAP Rocky, and so on, including Nicki Minaj, whom I still look up to tlil now.
How did you start rapping?
I started playing around with it since then but only partially. I realized I always came back to it when I got stressed out, like when I was writing my thesis, when I had a hard day at work, and so on. But I REALLY really started doing it when I was still in the last company I worked for. I kinda had enough of the 9-to-5 life and I was like “fuck it, I got like 50 people listening to my demos on Soundcloud saying my shit is good”. So after gaining enough money for this “plan B”, I resigned and everything just snowballed from then on haha.
Which artists did you listen to while growing up?
A lot of Avril Lavigne, Blink-182, Britney Spears, Black Eyed Peas, Gwen Stefani… A lot of rock and pop like I said yeah, but since high school I leaned more to Nicki (of course), Kanye, Drake, and Tyler. I also grew up with Utada Hikaru and L’Arc~en~Ciel and Gackt, so yeah, J-pop/rock influence too.
If someone doesn’t know your music and wants to discover it, which track would you advise them to listen to first and why?
CA$HMERE. It’s a track that I feel like embodies what I think and who I am without blatantly saying “this is what I think and this is who I am”. Even though it seems stupid at first, when you really listen to the verses, it actually talks about how I view society like, how come people be having the hottest shoes but can’t pay their rent? Or like why you posting your selfies with a Lang Leav poem? Like what’s your point?
Plus it’s stupidly catchy and there’s not much pressure in the process, I was just having fun with it.
You recently released the album “Can’t Speak English”. The title seems a bit ironic, as you can definitely speak English! Can you explain what it means?
Haha, good to know! Well, it’s actually kind of like a metaphor. When I was recording everything for the album in the States last year, one of the things that I said quite a lot was “sorry guys I can’t speak English lol” and they’re always like “whatcha talkin bout your English is just fine!”. I realized me doing that is actually a way to “justify” my shortcomings so people don’t expect too much of me. I like self-deprecating humor, but this time, I feel like I’m more of disrespecting myself rather than simply making a joke! Like why do I keep selling myself short, why can’t I switch to saying something like “yeah maybe I do deserve to be here”? Hence the name.
It reminds me (and my fans) that whatever your background is, or your lackings, or whatever, if you keep doing it, and keep honing it, you’ll eventually get somewhere. And when you do, you just gotta f*cking own it.
How did you work on this album and how would you present it?
I did the whole recording in EMPIRE studio in San Francisco. About 2 songs I already got the demo laid out, but the rest, it’s all organically done from start to finish in SF. Some features – like Euro and Inayah – I met there right in the studio, which was dope coz our collabs were made the same day that we met. The rest, like Ted Park and Pyra, came later (when everyone was already in lockdown), but not less dope.
I’d say this album is about “me and my journey”. You wanna know how Ramengvrl is doing after CA$HMERE and how I got here? This is it.
What is the female hip hop scene like in Indonesia?
Not a lot of females in the hip hop scene here, it’s a very male-dominated “genre” (I hate genres). So that’s why when I first popped up, people went kinda batshit crazy like “omg a female rapper??? omg did she say ‘pussy’ and ‘titties’ and ‘fuck’?” like they never heard any other female saying that.
In Indo, people are mostly still conservative, and music-wise the market is still leaning heavily towards pop. As in pop BALLADS. If there’s a female musician, it’s almost always the “goodie goodie” type – nothing wrong with that, but just shows how narrow the female representation is in Indo.
You use the term “queer” in your lyrics. What does this word mean to you and why do you think it is important to support this community?
Not constrained by the so-called conservative “gender values”. It’s important because… like why is it NOT important? I feel the same with racial equality. There shouldn’t be any issue/question/debate about people doing what they think is THEM (as long as they’re not stealing or killing anybody… that is different). We always say “everybody is different!” but then we go “why is he wearing a skirt?” like dude, do you see how contradictive you’re making yourself? Also skirt has no gender, it’s just a thing.
I’m not like the “poster girl” for LGBTQ or feminism advocacy coz I just feel like there’s a lot more people out there who have done more things supporting the cause than me, but I just wanna put it out there in my music since that’s just what I believe in. I don’t believe in social conformity coz I know for a fact that shit ain’t bring me nowhere.
Do you define yourself as a feminist? If so, how do you define your own feminism?
Like I said before, I never say “I’m a feminist” or anything like that because of the same reason I mentioned. I just do what I think is right, and I’m just here expressing myself. And if expressing myself turns out to be empowering for the cause, if feminists think my work represents them, then that’s awesome.
By definition, I guess I am a feminist. I believe in equality and I’m not even talking about gender. I’m talking about equality for everyone. I don’t even understand how people differentiate paychecks, or positions, or social hierarchy or even basic rights based on trivial things like sex, skin color, eye shape, whatever. That sounds like bullshit, why does the world work the other way around? Are humans dumb? Hahahaha. I guess that’s my feminism.
Who are your female role models?
Nicki Minaj. Always.
What are your upcoming projects? How does the coronavirus pandemic impact on your activities?
I can’t really speak on it now but best believe I got lots in store this year !
Honestly the only thing the pandemic affects is that I can’t really tour, and I can’t go back to Japan, which I’ve been wanting for since last year… But hey, I can still make music.
Find Ramengvrl on Instagram, YouTube, Facebook, Twitter and Soundcloud.
NAME: J-One
TRACK: Drill Test (Freestyle)
YEAR: 2021
FROM: Martinique, France