Qbala: “I see the importance in standing for women’s rights on the front lines”

You were born in Loveland and now live in Fort Collins. How is the hip hop scene like in Northern Colorado?

Fort Collins is blowing up right now. There is a lot of room for growth but there is also a lot of individual growth between crews. The mentality of worrying about who is doing what is changing to how can we help each other.

You used to be a basketball player. Which similarities do you see between basketball and hip hop?

I got to play in Australia for a few weeks one summer with my college team then made a travelling team that would have been in Hungary. I never received a pro contract. Music was one of the reasons I walked away from sports. It was mainly the differences that I kept seeing that eventually drew me to music. One couldn’t help but point out that there is definitely a competitive nature you must have to rise in either industry. I like that. It comes natural for me.

On your Facebook page, you name Queen Latifah, Lady of Rage, the Fugees or Janis Joplin as some of your influences. What do you think is so special about these women?

They sang about what was in there hearts and they have always been women of power to me. Plus they are amazingly talented. I welcomed their influence.

Your last EP “Battle Cries” is an empowering statement about women’s sexuality and identity. Did you struggle to be accepted as who you are on the hip hop scene?

This is a tricky one. I have struggled to understand the world’s obsession with what it is to be a man. I had a hard time accepting me for everything I am because I always wanted to be the best. Men have been treated better than me even if I worked harder, had better results and the list goes on. So, in my mind it’s almost been washed in that men were naturally better. I now see us all as energy and we will forever be the label that we choose. I have been in nonstop creation mode since I let go of my fears in the world’s expectation of what it is to be. As well as see the importance in standing for women’s rights on the front lines. Whether that is on a stage or at the workplace.

Madame Rap’s favorite is the song “Pride”. Can you tell us more about how this track was born? 

There is a lot of truth telling in my music. I’m taking about what could have happened if I was born in CA where my bio father is to apologizing to my mother and fiancé for not being certain about giving birth to a child or even having a child. My music really has started to fall in line with where I am at in my life. It helps me sort through feelings and they can see where I am at through artistic expression. It can be rough talking to me. I get very excited and the energy intensifies. One part in particular in this song I talk about my father, my step dad. He did so much for us and I am thankful. Sometimes I show love through music. It’s how I deal with what’s on my mind. That’s how my writing works.  Sometimes I hear a beat and just write. Sometimes I write then add to a beat. This one was a letter first.

Hip hop is usually considered to be more sexist and homophobic than the rest of society. Do you agree with that?

The entire world is afraid of something.  I’m just over here ready to go. We will put a stop to that.

Do you consider yourself a feminist? Why?

I consider myself a fighter of the people. Forever reaching out to help those in need. At some point we gotta stand for ourselves. I’m not really into labels but society may have their own opinion.

What are you listening to these days? Have you listened to Kendrick Lamar’s surprise album “Untitled unmastered”. And if so, what do you think of it?  

I am in super creative mood right now so I am focusing on listening to a gang of instrumentals. I honestly have not listened to it.  I’m trying to search my original creativity without being influenced by others. Mainly to be inspired by their dedication and hard work.

What are your upcoming projects?

I am working on a Self Titled EP. I just want to keep the creative bubble going. I have been doing a bit of live self-production where I build a beat on stage with a mini synthesizer and a Maschine Mikro drum machine. It has been amazing. I am not in any rush though to drop another EP this year. I really want to focus on pushing the projects I have right now.

What do you think about Madame Rap? What should be changed or improved?

We just met. We shall soon see!

Find Qbala on Bandcamp, Facebook and Soundcloud.

KT Gorique: “It was really hard for me to identify with femcees because there were so little of them”

How and when did you begin to be interested in hip hop?

When I lived in Ivory Coast as a child, I listened mostly to African music, gospel or the King of Pop. I was firstly interested in dancing. Michael Jackson had this way of moving that I had never seen before. He was like some kind of alien coming from the future. None of this moves looked like something I knew. I remember working on my moonwalk to look like him, just like all the other kids around me. I started dancing when I was 4 and that’s how I opened the door and entered the hip hop house.

You won the Freestyle World Championship in 2012. What did this recognition bring you?

My victory at the End of the Week World (EOW) in 2012 allowed many underground hip hop lovers to hear about my work. First, through all the delegations that participated that year, but also (and especially) thanks to the uncountable number of concerts I did afterwards.

As a matter of fact, I am the first and only woman who won this contest for now, the youngest and also the first Swiss. People were really surprised to see a “tiny young 21-year-old woman, coming from the tiny town of a tiny country “ compete against the best freestylers in the world in New York and win the trophy.

Many programmers and other organizations started to call upon me to do shows or improv demos. As I already said, I took my first step on stage through dancing at the age of 4 and it is something that really enriched my rap. When you dance, you train and get into condition to be on stage, like a football player before a match. Being directly in contact with the audience is really the main goal. And yet, when you rap, it’s not always the case. Most of the time, you learn to be on stage over a second phase. Therefore, I think that what may differentiate me from other artists, is the fact that most people who follow me today saw me live before listening to what I do on the internet.

Your songs are imbued with ragga sonorities. How did the toasting culture influence your love for freestyle?

I began listening to reggae and ragga when I was around 12. By the way, the first album I bought in my life was “Bob Marley – The Greatest Hits“. What I particularly liked when I discovered this culture was its philosophy. I got into freestyle years later. With other dancers, we were trying all hip hop styles: popping, locking, house dance, breaking, krumping, dancehall, raga jam… This is how I liked ragga. It’s only a few years later that I began to freestyle and that all these musical influences, which naturally guided my body, met in my music. I didn’t necessarily realize it then, because it’s a part of me, as well as African musical culture.

How do your Ivorian origins influence your music? Do you keep an eye on the female hip hop scene in Ivory Coast?

It’s hard for me to answer this question because I really feel that these are natural influences. My mixed origins, immigration, life experiences or the music that inspired me, and so many other things define my identity. And my music is me. So, obviously, all these things influence me and none of them is more important than the others.

I’m interested in the African hip hop scene, period. Women or men, it doesn’t matter. To me, music doesn’t have any gender. However, I think that as a woman, my interest in rap made by other women may be bigger. I remember that when I started, it was really hard for me to identify with femcees because there were so little of them. So that means I’m always curious and happy every time I discover a female rapper whose work I relate to. Being a woman in this crazy world is so complicated, and only a few stand out, that it feels good to see everywhere in the world others fighting for the same things as I am. Big up to Senegalese femcees Eve Crazy and GOTAL by the way. They kill!

Which women inspire you?

There are so many! Of all styles and backgrounds. Musically speaking:Lauryn Hill, Bahamadia, MC Lyte, Da Brat, Missy Elliott, Aaliyah, Yo-Yo, Lady of Rage, Casey, Keny Arkana, Ladea, Nina Miskina, Pand’Or, Rah Digga, Lin Que, Mother Superia, E.V.E, Foxy Brown, Dynasty, Rapsody, Coely, Nina Simone, Tracy Chapman, Mary J. Blige Aretha Franklin, Mahalia Jackson, Patra, Queen Omega, Lady Saw, Etana, Rokia Traoré, Angélique Kidjo, Cesaria Evora, Nach, Antoinette Allany and many others… I could also name historical figures, such as Harriet Tubman, Ching Shih, Angela Davis, Mère Teresa… Making a list is too hard. Many men inspire me too!

Do you consider yourself a feminist? Why?

No, for several reasons. The first one is that I can’t stand being labeled. I always thought and acted with my heart and my intuition, and both hate injustice. I didn’t have to know this word or its definition to react when I or another woman was being discriminated. My instinct always speaks out, as I always reacted toward racial or religious discriminations or any other “free attack against different people”. We must draw away as much as we can from patterns that destroy us in order to find ourselves. We have to identify with unique beings who are part of a universal balance, where all life forms equally matter. The real freedom is to Be, and be committed to ourselves, and therefore to the others. We should follow our heart, convictions and deep aspirations, refuse to lie to ourselves even if it means being alone in the world, and look at life’s bigger picture to understand things by ourselves. Once you are aware, you see and know, you no longer need to be a woman, man, Black, White, left-wing, right-wing, feminist, macho, Christian or Muslim. You are yourself and everyone. You just become “fair”, and for that, you must be free.

How did you meet British female rapper Oracy and what made you want to collaborate with her on the track “Que Du Love, from your first album Tentative de survie, released in March 2016?

Oracy is one the one EOW UK AllStars. We already had some acquaintances and friends in common within the End Of the Weak community. I knew her work and she knew mine, and we were both fans of each other! In 2013, we met at the Femcees Fest festival in Saint-Etienne, France, where we were both booked. We had a natural connection, kept in touch and became friends.

Oracy and I had the same vision on “how to live our life” and music. We also share the same spiritual belief and that’s what “Que du Love” is about. It’s like an ode to the solution of all our problems. Benevolent Love.

You acted last year in the movie “Brooklyn directed by Pascal Tessaud, which was quite popular, especially in festivals. What did this experience teach you and what are your upcoming cinema or music projects?

Brooklyn was one of the most intense experiences in my life. My encounter with Pascal Tessaud and the whole team of the film will remain etched in my heart. I had some magical moments with some exceptional people, really enthusiastic, committed, brave, talented people with a real vision on art and life. Even though I live far from all of them and the shooting was sometimes hard, Brooklyn remains and will remain my family.

In the future, I’m open to act in other movies (you can see me in Marie et les Naufragés directed by Sébastien Betbeder that was out this year), even if my passion remains music and that it is what I aspire to do.

What are you listening to these days?

I’m listening to many different things like reggae artistes Chronixx or Jesse Royal, hip hop artists like Ocean Wisdom or Machine Gun Kelly, Swiss rap like La Base and Tru Comers, and several female singers like Camille Safiya, Oshun or Ibeyi.

What do you think about Madame Rap? What should be changed or improved?

I’m following you on Instagram and Soundcloud and I like it a lot. I discovered several great artists thanks to Madame Rap so thank you. Keep doing what you do! ONE LOVE.

Find KT Gorique on Facebook, Soundcloud and YouTube.

VIDEO – 100 female rappers from 100 different countries

For three years, Madame Rap has been working to make women and LGBTQIA visible on the international hip hop scene. Today, more than 1,400 female rappers are listed on our website!

Here is a little glimpse with this selection of 100 female rappers from 100 different countries. The evidence being, rap is everywhere and is not as hostile for women as some people would want us to believe…

Afghanistan – Ramika
Afrique du Sud – Nadia Nakai
Albanie – Lil Vlora
Algérie – Serly
Allemagne – Lena Stoehrfaktor
Angola – Titica
Arabie Saoudite – Mai Mandour
Argentine – Alika
Arménie – Lil Mak Marialena
Australie – Madame Wu
Bahrein – Miss Moone
Belgique – Simsik l’amazone
Bhoutan – Karma Euden Nobu
Birmanie – Y.A.K.
Bolivie – Nina Uma
Botswana – E’nigma
Brésil – Alt Niss
Bulgarie – D E N A
Burkina Faso – Féenose
Cambodge – Lisha
Cameroun – Mihney
Canada – The Sorority
Chili – Moyenei
Chine – Uranus
Colombie – MC Jana
République du Congo – Lady Do
Corée Du Sud – Shin B
Costa Rica – Nakury Del Patio
Côte D’ivoire – Doksy
Croatie – Remi
Cuba – Danay Suarez
Danemark – Grow Digga
Égypte – EmpresS *1
Équateur – Mc Roja
Espagne – Blondie
États-Unis – Ray LeJune
Éthiopie – Lola Monroe
Fidji – Mc Trey
Finlande – Sini Sabotage
France – Vicky R
Gabon – Tina
Gambie – Awa Bling
Ghana – Karoli Naa
Grèce – Jumping Judas
Guatemala – Rebeca Lane
Guinée – Sister Lessa
Haïti – Doña
Hongrie – MC Ducky
Inde – Hard Kaur
Indonésie – Yacko
Iran – Justina
Irlande – Tanita Sikes
Islande – Cell 7
Israël – Invincible
Italie – Comagatte
Japon – Yurika
Jordanie – MC Meera
Kenya – Nasha Dee
Liban – Malikah Lynn
Libéria – Lady Skeet
Libye – Whezzy
Luxembourg – Mila
Madagascar – Bambs
Malaisie – Hunny Madu
Mali – Assourita
Maroc – Real Blood
Mauritanie – Les filles du bled
Mexique – Afromega
Mozambique – Iveth
Niger – Zara Moussa
Nigéria – Princess Vitarah
Norvège – Myra
Ouganda – Keko
Pakistan – Ash Chughtai
Pays-Bas – Dam Dutchess
Pérou – La Prinz
Philippines – Chill
Pologne – Razy Dwa
Portugal – Capicua
Royaume-Uni – Poetic Pilgrimage
Russie – Big Ma
Rwanda – Ciney
Sénégal – Déesse Major
Serbie – Mimi Mercedez
Singapour – Masia One
Suède – Linda Pira
Suisse – Danitsa
Suriname – Missy D
Swaziland – Kay T
Syrie – Dania DN Closer
Tanzanie – Rosa Ree
Togo – Flash Marley
Tunisie – Crossa
Turquie – Aziza A
Uruguay – Lady Crash
Venezuela – Mestiza
Vietnam – Suboi
Yémen – Amani Yahya
Zambie – Cleo Ice Queen
Zimbabwe – Radiofien

Best Of 2018

2019 is just around the corner, the time has come to look back on a very intense year for Madame Rap!

What Madame Rap did in 2018:

– interviews of international female rappers ;
– events : concerts, cyphers, panel discussions, conferences and debates ;
– interviews and articles in the media.

As the first French media dedicated to women in hip hop, Madame Rap has been working for three years to make women and LGBTQIA people visible in hip hop.

By trying to open hip hop to a wider audience and fight stereotypes, we have two main goals: densify the social ties and create new ones and make the voice of women and LGBTQIA people heard in this artistic and cultural movement. Between popular education and struggle for equality, Madame Rap offers and artistic and humanist approach beyond stereotypes and borders.

Thanks to the artists for their creativity and availability, to our partners and to all of you for your support!

And happy new year, full of love and hip hop!

PREMIERE- Yugen Blakrok drops new video Picture Box

SA female rapper Yugen Blakrok premieres the video “Picture Box” exclusively on Madame Rap!

After a first album in 2013 and a powerful featuring with Kendrick Lamar on the soundtrack of Black Panther, Yugen Blakrok is back with a second album called Anima Mysterium, out on February 1st, 2019.

As a foretaste, the South African femcee, along with her loyal associate SA producer Kanif The Jhatmaster, releases the oneiric video “Picture Box”. With this ode to self-illumination, the artist reminds the necessity to refocus facing the omnipresence and intrusion of the media in our daily life: fire was the first storyteller, now we gather around a television like in times past. We mimic and echo shadows of ourselves in alternate dimensions through the picture box; characters that influence our thoughts and lives on this timeline. Where do they go when we change the channel or switch off? The mind cannot imagine what does not already exists.”

You can pre-order the Anima Mysterium album here, read our interview of Yugen Blakrock there and follow her on  FacebookTwitter and Instagram.